Adriaen Van Utrecht
Flemish Baroque Era Painter, 1599-1652
Flemish painter. He was apprenticed to Herman de Ryt in 1614 and later visited France, Italy and Germany before returning to Antwerp by 1625. He painted pantry scenes, farmyards with poultry, fish markets, game pieces, garlands and diverse still-lifes of fruit and vegetables. Game paintings are most frequent and reflect the influence of Frans Snyders. Adriaen adopted the same abundant displays of game, fruit and vegetables, usually set on a table parallel to the picture plane. Compositions typically fall in horizontal and vertical lines in contrast to the dynamic diagonals of Snyders. In large works, such as the Still-life with Game, Vegetables, Fruit and a Cockatoo (1650; Malibu, CA, Getty Mus.), Adriaen's accessories overflow the table on to the floor below. Baroque devices, such as a sweeping curtain and background window view, add movement and depth. Van Utrecht favoured warm earthen tones, especially grey-green, and a strong chiaroscuro light in his still-lifes; the latter may derive from his knowledge of Italian painting. The artist's style changed little during his career, save for the gradual elimination of figures in his paintings. The influence of Jan de Heem and Jan Fyt can also be seen in his later work. Related Paintings of Adriaen Van Utrecht :. | Still life of a basket of apples,grapes,plums,figs,gooseberries and redcurrants,together with a monkey,artichokes,celery,a melon,a pomegranate,a lemon | The old fish market in Antwerp | The Pantry | A Pantry | Fishmonger's Stall | Related Artists: Hans von Maress1837 Elberfeld-1887 Rome Andre BeauneveuNetherlandish Gothic Era Painter and Sculptor, 1335-ca.1401
Andre Beauneveu was born in Valenciennes. Little is known about his early life and he is first documented in 1360. Four years later, he commissioned to create a collection of royal tombs in Paris for King Charles V. In 1366, Beauneveau left Paris and began working for the Count of Flanders in Courtrai beginning in 1374. Then in 1386, he began working for Jean, Duc de Berry and served him for the rest of his life. Beauneveau was primarily a sculptor, but also produced illuminated manuscripts and stained glass windows. His work was integral to the development of naturalism in the 15th century. John Wootton1682 - 1764
English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.
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